EVERYTHING MARKED WITH: Tony Law


John Gibson August 16th, 2018 by

Imagine being a reviewer and watching a show predicated upon (for the first half at least) a cuddly bear. Imagine taking so little interest in what you’re watching that you thought the bear was a monkey. I mean, you saw it in the Monkey Barrel after all; it ought to have been a monkey. It’s […]


Fiona Shepherd August 15th, 2014 by

Fiona Shepherd is rock and pop reviewer for The Scotsman, but they let her write about comedy too because everyone is multitasking at Scotsman Towers these days. Jay Richardson makes sandwiches in the canteen. Joyce Macmillan maintains the drawbridge and the boiling oil. And anyway, comedy was once going to be the new rock n’ […]


I don’t know why this reviewer has awarded himself divinity.  Perhaps he bears a passing resemblance to John Waters’ favourite drag queen. Perhaps – even more than all the other reviewers – this one believes himself appointed to pass God’s infallible judgment upon Fringe entertainment. Whatever the reason, it comes as a disappointment that his […]


James McColl August 12th, 2014 by

If all reviewers wrote like James McColl, Fringepig would be out of business. Not that Fringepig IS a business, obviously. Not until someone has the guts to take out an advert with us, anyway. No, if they all wrote as matter-of-factly as this chap there wouldn’t be much to moan about. “Laurence Clark is a […]


Tony Makos July 17th, 2014 by

Tony Makos approaches reviewing with the right attitude. He opines that Nadia Kamil’s first solo hour “is all over the shop, and barely hangs together in places”, but nonetheless grants her four stars because “it’s clear she’s having nothing less than an amazing time”. Makos puts his analytical skills behind his gut reaction in most […]


Polly Davidson July 17th, 2014 by

When Polly Davidson says that “At least [Tony Law] is definitely funny”, she pays him scant credit. This is the only thing she is certain of in the entire review, and even then she keeps it until the end. His comedy is “all over the place”, she reports, wielding critical insight with all the dextrous […]


Christopher Spring writes clumsily, almost as if he’s trying to write his reviews on a postcard with a crayon the size of a pillarbox. He’s funny, too. ACMS is “filled with big names like Alfie Brown and Tony Law to name but a couple”, he states, wasting 5 per cent of a 100-word review. “[Dana] […]


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