Jay Richardson writes for everyone who matters at the Fringe, and others that don’t particularly. The two things that define him are his constant recourse to reason and his deft turn of phrase. He employs a great economy with words, so that three paragraphs give as accurate a picture of a performance as four or […]
It is a curious thing that, while 95 per cent of stand-ups are on-message with the Guardian’s brand of sympathetic socialism, Brian Logan has little sympathy for stand-up. His reviews are grumpy, condescending and keen to make it clear that it is HIS time everyone is wasting. Sometimes his opinions are so bombastic that they’re […]