Katharine Gemmell isn’t a bad reviewer per se, but her impulse to be all over the shows she sees tends to result in her passing judgment on people rather than performance. This is something we’ve come to expect of younger reviewers (Fest is full of this sort of thing) and although we don’t know Gemmell’s […]
“There are a few lyrical clangers,” says Polly Glynn of Gareth Richards… and it’s a charge that might be made of her reviews too. There’s quite a lot that jars. She tells us that Michael Brunstrӧm’s The Hay Wain Reloaded is saved by “its clever and coherent structure”, but then immediately afterwards concludes that it’s […]