I’m fairly sure there must be narrative accounts of the Rwandan genocide that are bubblier than Laura Ennor’s comedy reviews. I’m sure that some of the confessions extracted at Guantanamo read in a bouncier, more upbeat style. I’m not doing her down on skills; she is clearly a capable journalist who knows her mind. In […]
Last year, when Broadway Baby allowed writers to construct their own headlines, Lucy Hoggan ran loose with this freedom. “Time to Sit Down” she told a theatrical production called Stand Up, Woman. SLAM! It was worse when she liked something. For a Show called Feta With the Queen, she writes “An awfully Good Show, I […]
“Serene, easy-going… delightful in a mellow, ticklish way… Delicate and exceptionally dry, occasionally reaching a curious threshold somewhere between amusement and bemusement”. Is this Jilly Goolden describing a Chilean merlot? No, it’s Andrew Pollard giving a critique of Norman Lovett. You can’t accuse Pollard of being insufficiently descriptive. Not only does he paint a picture […]